The Barry Spacks Poetry Prize honors Santa Barbara’s first Poet Laureate, our beloved friend and teacher, Barry Spacks. The Spacks Prize is awarded annually for a full-length collection of poetry. The prize includes $1000 (an increase from previous years) and publication by Gunpowder Press with 50 author copies. The editors of Gunpowder Press will select finalists from manuscripts submitted between January 1 and April 30. We apologize that we are not able to consider international entries. Send manuscripts via Submittable here.
2022 Spacks Prize
2022 Spacks Prize Final Judge
The editors of Gunpowder Press are happy to announce the final judge for the 2022 Barry Spacks Poetry Prize is Danusha Laméris! She is the author of The Moons of August (Autumn House, 2014), which was chosen by Naomi Shihab Nye as the winner of the Autumn House Press poetry prize and was a finalist for the Milt Kessler Book Award. Some of her poems have been published in: The Best American Poetry,The New York Times,TheAmerican Poetry Review, Prairie Schooner, The SUN Magazine, Tin House, The Gettysburg Review, and Ploughshares. Her second book, Bonfire Opera, (University of Pittsburgh Press, 2020), was a finalist for the Paterson Poetry Prize, and winner of a 2021 Northern California Book Award. The 2020 recipient of the Lucille Clifton Legacy Award, she teaches poetry independently, and is a Poet Laureate emeritus of Santa Cruz County, California. She is currently on the faculty of Pacific University’s low-residency MFA program. Send manuscripts via Submittable here.
2021 Spacks Prize
The editors of Gunpowder Press are thrilled to announce that Todd Copeland’s Like All Light was selected by Lynne Thompson as winner of the 2021 Barry Spacks Poetry Prize.
Todd Copeland’s other works include the poetry chapbook The Book as Knife (Ravenna Press, 2021) and the narrative nonfiction book The Immortal Ten (Baylor University Press, 2006). His poems have appeared in The Journal, Southern Poetry Review, Valparaiso Poetry Review, Lake Effect, Christianity & Literature, and Sugar House Review, among other publications, and his essays have been published in such journals as Literary Imagination, JNT: Journal of Narrative Theory, and Media, War & Conflict. He holds degrees in English from Baylor University (BA), The University of Georgia (MA), and Texas A&M University (PhD). A native of Ohio, he lives in Waco, Texas.
Of this collection, Lynne Thompson writes:
From the opening lines of Like All Light and throughout the collection, Todd Copeland wraps these poems in elegiac language both lyrical and haunting. His flood of memories—real and imagined—will remain with the reader long after the reading is done. Take your time; it’s well worth the journey.
The editors look forward to publishing Like All Light and thank our judge Lynne Thompson for her choice. We also recognize the following finalists:
- These Waters by John Belk
- Design by Theresa Burns
- Gatherer’s Alphabet by Susan Kelly-Dewitt
- Three Hundred Streets of Venice California by Tom Laichas
- Aisle 228 by Sandra Marchetti
- Before the Forest Burns by Leslie Monsour
- Easy Victims to the Charitable Deceptions of Nostalgia by Emily Schulten
- Feast of Light by Emily Tuszynka
- A Primer of Interference by Suzanne Wise
Judge Lynne Thompson is the Poet Laureate for the City of Los Angeles and the author of Beg No Pardon, Start With A Small Guitar, and Fretwork selected by Jane Hirshfield for the Marsh Hawk Poetry Prize. Thompson’s recent work appears or is forthcoming in Rust & Moth, Massachusetts Review, Ninth Letter, and 2020 Best American Poetry, among others. Thompson is Chair of the Board of Trustees at Scripps College and serves on the Boards of Cave Canem and the Los Angeles Review of Books.
2020 Spacks Prize
We are excited to announce Curriculum, by Meghan Dunn, as the winner of the 2020 Spacks Prize. Gunpowder Press thanks Jessica Jacobs for her generosity in serving as the final judge.
Of the winning manuscript, Jessica Jacobs writes:
In Meghan Dunn’s incisive debut, we encounter a speaker both student and teacher. These poems delve into the moments that forged her, while offering timely accounts of trying to shepherd students through America’s dark racial history, bearing witness to modern-day lynchings, active shooter drills, and the shock of classmates dead far too soon. Beautifully crafted, every lesson bears surprises: “Cartography” is a study in the landscape of bodies and drift of borders; “Foreign Language,” in the difficulty of holding another’s grief; “Grammar Lesson,” in the moments that reveal us as less than the person we’d most like to be. In Curriculum, all of life, with its many loves and losses, is on the syllabus, and like the best classes, these poems reintroduce us to wonder, making us students again of a world we thought we already knew.
About the winner: Meghan Dunn lives in Brooklyn, NY, where she teaches high school English. Her work has appeared in Ploughshares, Narrative, Poetry Northwest, Four Way Review, and Southern Humanities Review, among others. She is a four-time recipient of scholarships from the Bread Loaf Writers’ Conference and a 2019 Tennessee Williams Scholar at the Sewanee Writers’ Conference. Her website is http://meghandunnpoet.com/
Mother Lode, by Peg Quinn, will also be published as an Editor’s Choice.
The other finalists include:
- Luminous Body, Glittering, Ash by C.W. Emerson
- Ishmael Mask, by Charles Kell
- The Right Blue Dream Home, by Claire McQuerry
- To Find Comfort in Others, by Stephen Priest
- From the Gunroom by Keith Stahl
- Divination with a Human Heart Attached by Emily Stoddard
- The Public by Patrick Swaney
- Sum Ledger by Adam Tavel (forthcoming from Measure Press—congratulations, Adam!)
Judge Jessica Jacobs is the author of Take Me with You, Wherever You’re Going, published by Four Way Books, was named one of Library Journal‘s Best Poetry Books of 2019. Her debut collection, Pelvis with Distance, won the New Mexico Book Award in Poetry, was an Over the Rainbow selection by the American Library Association, and was a finalist for the Lambda Literary and Julie Suk Awards. Her chapbook In Whatever Light Left to Us was published by Sibling Rivalry Press. She holds an M.F.A. from Purdue University, where she served as the Editor-in-Chief of Sycamore Review, and a B.A. from Smith College. Her poetry, essays, and fiction have appeared in publications including Orion, New England Review, Crazyhorse, and Guernica. An avid long-distance runner, Jessica has worked as a rock climbing instructor, bartender, and professor—leading workshops around the country and teaching for Hendrix College, UNC-Wilmington’s MFA program, and Writing Workshops in Greece, among other programs—and is now the Chapbook Editor of the Beloit Poetry Journal. She lives in Asheville, North Carolina, with her wife, the poet Nickole Brown, and is at work on parallel collections of essays and poems exploring spirituality, Torah, and Midrash.
2019 Spacks Prize
Gunpowder Press welcomed esteemed Pulitzer Prize-winner Stephen Dunn as final judge for the 2019 Spacks Prize. This year’s winner, chosen by Stephen Dunn, is Glenn Freeman of Cornell, Iowa, for his collection Drinking with O’Hara.
The other finalists, in alphabetical order by poet’s last name:
- These Waters, John Belk
- Rosetta, by Karina Borowicz
- Luminous Body, Glittering Ash, by C.W. Emerson
- The Invention of the Parachute, by Ken Fifer
- Into Night’s Tent, by Stephen Frech
- I Come from a Long Line of Men Who Die in Their Sleep, by Robin Gow
- Our Spilt Blood at the Borders, by Jonathan Greenhause
- Medicine, 3AM, by Susan Kelly-Dewitt
- Cautious Horses Eyed Us, by Peg Quinn
The editors of Gunpowder Press were impressed by the precise language and striking images in these manuscripts. We also appreciate Stephen Dunn’s critical eye on selecting a winner from this strong group of manuscripts.
Dunn is the author of over a dozen books of poetry, including the National Poetry Series Prize-winning Local Time (1986), Landscape at the End of the Century (1991), Loosestrife (1996), Different Hours (2000), which won the Pulitzer Prize, What Goes On: New and Selected Poems 1995-2009 (2009), Here and Now (2011), Lines of Defense (2014), and Keeper of Limits (2015). His works of prose include Riffs and Reciprocities: Prose Pairs (1998), and Walking Light: Essays and Memoirs (reissued 2001). In addition to the Pulitzer, Dunn’s honors and awards include fellowships from the National Endowment for the Arts and the New Jersey State Council on the Arts. He won the James Wright Prize and an Academy Award for Literature. Dunn is distinguished Professor of Creative Writing at Richard Stockton College.
2018 Spacks Prize
We are honored that Lee Herrick was the final judge for the 2018 Spacks Prize. He selected Michelle Bonczek Evory’s The Ghosts of Lost Animals as the winning manuscript.
10 finalists were selected, including the winning manuscript. The other finalists include:
- Steve Bellin-Oka, Ash Sonata
- Nina Clements, Our Mother of Sorrows
- Amy Davis, Wayward
- Kathy Goodkin, Crybaby Bridge
- Andrew Gottlieb, Tales of Distance
- Emily Hazel, The Brave Betweens
- Kip Knott, Temporary Agnostic
- Jonathan Weinert, Indifferent Country
- Reed Wilson, Orpheum
Lee Herrick is the author of Gardening Secrets of the Dead and This Many Miles from Desire, and a third book, Scar and Flower, is forthcoming from Word Poetry Press in 2019. His poems have appeared in many literary magazines, anthologies, and college textbooks, including The Bloomsbury Review, Columbia Poetry Review, The Normal School, Indivisible: Poems of Social Justice, and Visions Across the Americas, 8th edition, among others. He is a Fresno Poet Laureate Emeritus and serves on the advisory board of The Adoption Museum Project. Born in Daejeon, South Korea and adopted at ten months, he teaches at Fresno City College and in the MFA Program at Sierra Nevada College.
2017 Spacks Prize
The final judge for the 2017 Spacks Prize was Jane Hirshfield, who selected Aaron Baker’s Posthumous Noon as the winning manuscript.
Other finalists selected by the editors include:
- Steven Huff, A Fire in the Hill
- Barbara March, Here Is a Woman
- Jeff Oaks, Little What
- Lisa Rosenberg, A Different Physics
- Lynn Schmeldler, History of Gone
- Emily Schulten, The Way a Wound Becomes a Scar
- Melissa Stephenson, After Mating for Life
- Angela Voras-Hills, The Account of Worms
- Pui Ying Wong, The Feast
Jane Hirshfield’s most recent, eighth book of poetry is The Beauty (Knopf, 2015), long listed for the National Book Award and named a best book of the year by The San Francisco Chronicle and the Washington Independent Review of Books. Her newest book of essays, Ten Windows: How Great Poems Transform the World (Knopf, 2015), received the Northern California Book Award. Previous honors include The Poetry Center Book Award, the California Book Award, the Donald Hall-Jane Kenyon Prize in American Poetry, Columbia University’s Translation Center Award, and fellowships from the Guggenheim and Rockefeller foundations, the Academy of American Poets, and the National Endowment for the Arts. While never a full time academic, Hirshfield has taught or been a poet in residence at U.C. Berkeley, the University of Virginia, the Bennington MFA Writing Seminars, U.C. Santa Barbara, and elsewhere. Hirshfield was the 2016 Mohr Visiting Poet at Stanford University. In 2012 she was elected a Chancellor of the Academy of American Poets.
2016 Spacks Prize
The 2016 Spacks Prize was awarded by final judge Thomas Lux to poet Kurt Olsson for his book Burning Down Disneyland. Ten finalists were recognized by the press, including the winning manuscript and:
- Nan Cohen, Unfinished City
- Jeff Ewing, The Wind Apples
- Andrew Gottlieb, His Winter Beast
- Adam Houle, Stray
- Kathleen McClung, The Typists Play Monopoly
- Emily Schulten, The Way a Wound Becomes a Scar
- Anna Scotti, Bewildered by All This Broken Sky
- James Scruton, Ordinary Plenty
- Erin Elizabeth Smith, Down: The Alice Poems
2015 Spacks Prize
The inaugural Spacks Prize was awarded by final judge Dan Gerber to poet Catherine Abbey Hodges in 2015 for her book Instead of Sadness, released by Gunpowder Press in December 2016. The editors recognized seven additional poets as finalists:
- Susan Kelly-Dewitt, Bird Singing in the Moonlight
- Christine Kitano, Sky Country
- John Morrison, Monkey Island
- Barbara Presnell, Blue Star
- Lindsay Tigue, System of Ghosts
- Carine Topal, Some World
- Lillo Way, Wingbone